表演者 Performer: Yi-Jou Chuang, Lucie Schroeder
媒材 Material：the object form the theater piece “¡ Estoy vivo! Ich lebe(immer noch) ”
表演時長 Duration:15 min.
此作品在行為表演內容之外，處理的問題是關於如何再詮釋或再使用非寫實戲劇作品裡的物件。我將我上一個劇場作品的物件之一「鐵盤」視為一種現成物，再將視覺藝術中長年以來使用現成物的方式：透過後設的方式對此現成物以別於劇場使用的方式進行另外一個在展場空間的行為演出。我在這裡向自己提出此假設：非寫實劇場所生產出來的概念性物件，在離開其所屬的戲劇作品之後，是否能夠回到物件本身自己的狀態，而不再只能依附著劇場作品而存在與建構。但當物件擁有獨立性以後，是否相較於其他原來就在視覺藝術脈絡之下的裝置藝術或空間作品少了被詮釋或被接受的空間。如何看待同樣物件在不同互動與表演場域裡,對觀眾造成觀看的觀看影響。
The work explored to reinterpreting and reusing elements from the non-realistic theater stage. In this performance, I use the plates from a theater play (for which I designed the stage) as a ready-made object. I then created a new performance with a different meaning. In the Visual Arts, a ready-made object is an established approach, but how about seeing an element from a play as a ready-made object? My hypothesis: the stage element, in particular, an abstract object from the non-realistic theater piece, has its own language when it is shown without the theater. When I place it into an exhibition room, how could I define it as an artwork, like sculpture or installation? How could the same object be seen in different fields? This process allowed me to experience different interpretations of the same performance across the contexts of the visual arts and theater.